Ask a DisNerd – Favorite Rides and Those Darn Cats!

Good morning, all! Welcome to a slightly delayed edition of Ask a DisNerd! This time around we have two questions to answer, so let’s get right to it, shall we?

First off, Confessions reader Andrew asks: “What’s your favorite Disney ride of all time?”

It would be easier, Andrew, to tell you what my least favorite ride would be, since, generally speaking, I love almost all! But if I had to pick one ride and one ride only, it would go back to one of the original opening day rides.

Peter Pan’s Flight – pretty much perfection in an attraction that has stood the test of time.

Perhaps it’s because of the fact that Peter Pan is among my favorite Disney stories. Maybe it’s the idea of being able to fly in a pirate ship high above London and Never Land. Possibly it’s because it’s such a popular (i.e. long-lined) ride that it’s near impossible to ride over and over again, that it makes each time I ride a special treat. Nonetheless, I am like a little kid each time I get on that ship to begin my journey to the second star to the right. I can’t help but hope each time the ride breaks down. That I’m stuck for an extra amount of time floating over Never Land. To me, that’s a sign of an excellent ride – one that you can’t spend too much time on. One that captures child-like innocence and wonder. To me, that is Peter Pan’s Flight.

“Straight on ’till morning!”

Our second question comes from Confessions reader Tanya, who asks: “Why would anyone name a cat after the devil?”

Tanya, your question stumped me for a while. I was wondering what that had to do with Disney until a little light bulb went off in my head. “Ding! She’s referring to Lucifer!”

Here, kitty kitty kitty….

While I don’t have an answer to that, many theories point to the idea that Walt wasn’t all that fond of cats. Pete the Cat, aka Pegleg Pete, was Mickey Mouse’s first nemesis. The Cheshire Cat, while not villainous, wasn’t very helpful to poor Alice in any way. And those Siamese…. oh, how they tortured poor Lady. But I’m not sure I’m buying this theory. It doesn’t explain cute (and a little mischievous) Figaro or the helpful  to dalmatians everywhere Sergeant Tibbs! Just like humans, there’s a fair balance of good and bad!

So, I was left with asking the final authority on why anyone would name a cat Lucifer: My five year old daughter.

“Well, you see, when they were making Cinderella, they really wanted to name him Luci, but that’s a girl’s name. So they had to come up with a boy’s name instead. They thought about how furry he was and named him Luci-fur!”

Probably not the answer we were looking for, but pretty much as good an answer as I could find!

Alrighty, fellow DisNerds, that should do it for this time! Hope you enjoyed this overdue “Ask a DisNerd” – be sure to keep those questions coming!

Walt Disney’s Mechanical Wonderland!

It’s amazing the articles one can come across while perusing old and vintage magazines. Imagine my surprise, when, looking at an issue of Popular Mechanics from 1957, I saw the following words written on the bottom of the cover: “Walt Disney’s Mechanical Wonderland.” Reading the article, I found myself just smiling at this blast from the past. I love seeing old ads, articles, and write-ups for the Happiest Place on Earth. What makes this article unique as compared to other promotional materials of their time, though, is the magazine it was written for. Instead of focusing on the “magic of the park,” or the exterior beauty, this article touches on a few of the  technological breakthroughs (yes, the spinning alligators needed a lot of help!) and the work done in particular by Robert Mattey and Bob Gurr. My favorite part of the article? That at “exactly 9-1/2 miles (per hour) the (Autopia) car can crash into a brick wall and do no injury to car or occupants.” But, I’ve said too much already. Instead of going on and on about this gem, I’ve scanned the entire article for your reading enjoyment. Hope you enjoy, and feel free to share with your friends!

Popular Mechanics Cover, November 1957

Popular Mechanics Cover, November 1957

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POP 7

POP 8

Ask a DisNerd – The “Partners” Statue

Greetings, fellow DisNerds!

The question for this week’s “Ask a DisNerd” segment comes from Confessions reader Tim, who sent the following inquiry:

“This pertains to the Partners Statue at Disneyland. Is there some significance to where Walt is pointing? Also what is the story behind the statue and how it came to be?”

 

“Partners,” as seen at Disneyland.

This is a great question, Tim. So great, in fact that I couldn’t answer it myself. The general consensus is that it was decided that there needed to be a tribute in Disneyland park, and later in other Disney Parks as well. The Partners statue was designed by Imagineer and Disney Legend Blaine Gibson. As for the the direction Walt is pointing: although there are many speculative guesses, the truth is that he’s just generally pointing out to the crowds and the structures, as if saying to Mickey, “Look at all the happy people who have come to visit us today.”

There’s a lot more to the story than just that, however. In looking up the history and significance to verify what I believed to be true, I came upon articles on the history of the Partners statue from Disney historian and MousePlanet writer, Jim Korkis. Instead of putting my own spin on things, I’ll include a few quotes from part one and part two of his articles, with a strong suggestion that you read both for some great reading.

“I have heard that the statue was designed so that Walt was pointing toward the future. Or, even more specifically, pointing to the future location of Epcot. Or, within the last decade, the story has evolved that Walt is pointing to the statue of his brother Roy at Walt Disney World to symbolize Walt telling Roy to carry on with the dream. I have even heard two different Disney park tour guides tell me that Walt is pointing towards the trains rather than the castle because of his great love of trains and the whole concept of the theme park began with trains.

None of those stories are correct. They are no more correct than telling guests that the bride in the Haunted Mansion threw her ring out of a window and it imbedded itself into the cement, or that Cinderella has her own horse and that it has ribbons on its tail on the carousel in Fantasyland. Yet, despite all the evidence to the contrary, these stories and others continue to take on a life of their own and people believe them and repeat them.

Now, more than ever, I think it is important to tell the story of the ‘Partners’ statue. When it was first installed at Disneyland in 1993, I talked with sculptor Blaine Gibson and he told me that Walt was pointing down Main Street and saying to Mickey at his side, ‘Look at all the happy people who have come to visit us today.’

While that is basically correct and Gibson has told others that same simple statement, there is always more to the story.”

Korkis also touches on Walt’s opinion of statues of himself, along with Lilian’s wishes. I wonder how she felt about the finished project, although I did overhear Imagineer Tony Baxter say at an event I once attended that the Disney family felt Walt wouldn’t approve of his statue in any form at Disneyland.

“In 1962, at the urging of his WED supervisor, Richard ‘Dick’ Irvine, Gibson sculpted a bust of Walt Disney as a ‘thank you’ gift for Walt. Blaine now claims he was tired, working on the project late at night, and that the foundry work was not very good and he couldn’t quite control what he wanted. In any case, when he presented it to Walt, Gibson claimed that Walt said, ‘What am I going to do with this? Statues are for dead people.’

Gibson wanted to destroy the bust and replace it with another, but it was kept at WED for awhile and then at RETLAW. Gibson kept the clay original in his garage and told me that ‘I couldn’t bring myself to put a hammer to it.’ He did a cartoon sketch of himself sculpting the bust and Walt saying, ‘That dummy thinks it looks like me.’

Years after Walt’s death, Gibson worked on a Cal Arts memorial medal that featured a head shot of Walt and Walt’s widow Lillian told him at the time that ‘she didn’t ever want a bust or a portrait or a statue of Walt to be done.’ “

So what was the actual inspiration for putting a tribute to Walt in the parks? Korkis continues:

“Officially, the idea was pitched that just two decades after his passing that Walt Disney was being forgotten. A new generation of children had grown up without seeing him on television every week. Examples of other forgotten innovative businessmen were shared, including how people might enjoy eating a Hershey chocolate bar but had no idea there was a man named Milton Hershey to thank for their enjoyment. It would be good business to spotlight the memory of Walt Disney.

Eisner eventually agreed, thinking it would help promote the brand, but there was still the challenge of convincing the surviving Disney family members, especially Lillian, that a statue would be a good way to remember Walt. The statue would be unveiled to celebrate Mickey’s 65th birthday, a significant milestone.”

As for the significance of the “version” of Walt we see in the Partners statue, as well as what Walt may be pointing or referring to:

“While working on the project, Gibson told another interviewer, ‘I chose to depict Walt as he was in 1954. I think that was when Walt was in his prime. It was tough trying to match the media image of Walt Disney, the one the public knows, to the real Walt, the one we knew. I don’t like to leave a sculpture until it has a feeling of life. I had done a bust of Walt in terra cotta while he was alive, but it wasn’t quite right. I hope this time I’ve captured that magical spirit of his. I think Walt is admiring the Park and saying, “Mickey, look what we’ve done”.’ “

Korkis also reveals that the placement of Mickey was quite the quandry, and the interesting tidbit that Marty Sklar wasn’t a fan of Walt pointing (as we should all know, we don’t point at Disney!):

“There were several different compositions that were considered. One featured a young Mickey running ahead and pulling Walt along. It was rejected because it seemed awkward for Mickey to be dragging Walt forward. Another featured Walt with the rolled up blueprints of Epcot in his right hand and using them to point forward. Yet another had Walt with an opened handed wave (at the suggestion of Marty Sklar who didn’t like the concept of Walt pointing) while in Mickey’s hand was a small black globe with two mouse ears. One image that popped up in several sketches was Mickey with a one-scoop ice cream cone……(Gibson said) ‘Marty [Sklar of Imagineering], [Disneyland President] Jack Lindquist, [Imagineer] John Hench and I had a meeting about the ice cream cone and there were two concerns. First, we felt that it made Mickey appear a little too immature, and, second, we felt it might favor one lessee, like the Nestle Company or Carnation. John and the rest of us finally agreed to have Mickey’s arm at his side.I liked the way it came out…and design-wise it worked with more emphasis on Walt.’ “

As I stated above, I really hope you take the time to check out and read the complete story from Korkis. His articles are full of great Disney history, as is his book, The Revised Vault of Walt: Unofficial, Unauthorized, Uncensored Disney Stories Never Told, available for purchase through Amazon.

I hope this answers your question, Tim! Thanks for asking about one of my favorite places to visit in Disneyland – regardless of whether or not Walt would have approved, it’s a great monument to a great man who achieved so much through hard work and determination.

Keep your questions coming, dear readers! We’ll be back with another “Ask a DisNerd” in two weeks!

More “Long Lost Friends” at Disneyland

Today, the Disney Parks Blog announced the return of “Long Lost Friends Week” to Disneyland for the week of August 19th – 25th. Characters announced for this turn are as follows:

 

Hercules and Meg from “Hercules”

Merlin from “Sword in the Stone”

Tarzan, Jane and Terk from “Tarzan”

 

Of course, last time, there were a lot more unannounced long-lost friends that showed up in Big Thunder Ranch. I’d love to be there for one of these weeks – I remember feeling eight years old getting to meet Horace Horsecollar last year when he showed up in the Jamboree area, and I’m sure I’d feel that way if I got the chance to meet more!

 

Of course, every time I visit Disneyland, it’s like visiting a long-lost friend each time I enter the gates….

Unused, But Not Unloved

WIth the D23 Expo days away, one of the ultimate highlights for me, if I were attending this year, would be “Richard M. Sherman and Alan Menken: The Disney Songbook.” One evening with both of these legends on stage would be an amazing sight to see. There’s just something about hearing songwriters sing and talk about their songs. While the voices that are picked to carry over onto film or radio are great, the fact that you’re hearing the person who first wrote the tune and/or lyrics bring out their original visions. And to hear the story that goes along with it? Amazing and priceless.

Seriously, if you’re at the Expo on Saturday, August 10, see this performance. Hosted by Tim O’ Day, it’s sure to be a great time of story and song. And I’ll be jealous of you.

Perhaps that’s the reason I’m so into movies like “The Boys: The Sherman Brothers Story” and “Waking Sleeping Beauty.” Perhaps even just a little more than the finished product, I’m fascinated by the labor of love behind those same stories. Learning how the Shermans would come up with songs, envisioned one way (did you know “It’s a Small World” was originally a ballad?), and have it come out an entirely different way. How Howard Ashman would fight for his vision, from coaching vocal performances to fighting for inclusion of a piece that animators and directors just “didn’t see working.”

How many times, these songs would wind up on the cutting room floor.

One such song is a song that for some reason has become one of my favorite Disney songs as of late. A song that never made it into the movie “Aladdin.”

I realize ultimately there was no place for the song in the movie, as, in the end, Aladdin was a parent-less street urchin. However, the song resonates with me, maybe even more than any song in the movie that made the final cut did. How painful it must be for a songwriter to have such a labor of love be taken out like that.

Dick and Bob Sherman had a similar experience with “The Eyes of Love,” a lovely ballad that was cut out of Mary Poppins because Julie Andrews wasn’t a big fan of it (you can hear the story told in their own words on the Mary Poppins Special Edition Soundtrack). This is a common practice in movies and musicals – they’re always a work in progress until that final cut. (For more unused songs, I very highly recommend checking out  “The Lost Chords” series of MP3s compiled by Randy Thornton.)  However, I find such songs and stories fascinating.

If I were able to ask Richard Sherman or Alan Menken any one question, it would probably be the following: Which of your songs that never got used are you most proud of? What’s your favorite “unheard” piece? For, although these songs may not have been used in film, by no means are they weak songs. In fact, they can turn out to be very loved indeed.

What about you, readers and fellow DisNerds? Any favorite Disney songs that just didn’t make the cut in the final films? I’d love to hear from you!

Ask a DisNerd – A Third Anaheim Park?

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Hello there, dear readers and fellow DisNerds! Welcome to the first edition of Ask a DisNerd! Every two weeks, we will open up the mail bag and answer a reader question or two. The questions range from theme park trivia to speculation on Disney movie characters, and a little bit of everything in between. This week’s question comes from reader Chris F., who asks the following:

How likely do you think we will see a third theme park in Anaheim?

Thanks for the question, Chris – I felt this would be a great question to answer this week, on the eve of Disney’s D23 Expo, when you never know what surprise announcements may be made. Speculation runs rampant, so we might as well speculate at this point as well!

I do think there is a strong likelihood that we will see a third theme park in the Anaheim area. As much as I love Disneyland and Disney California Adventure, there is only so much they can do within the parks to continue to draw crowds. While Buena Vista Street and Cars Land were nice additions to California Adventure, they were expansions to an already existing park – a park that, like its counterpart across the esplanade, has little room to keep expanding.

With a huge mix of locals and tourists, the public seems to be demanding more and more, at the same time expressing sadness (and sometimes outrage) when an older attraction is removed. The simplest choice (I say simple rather tongue in cheek here) is a third theme park. The bigger questions becomes, What kind of theme park?

My counterpart, Hayden has added what he would like to see in said theme park:

“When such happens, though, I have heigh-ho-high-hopes that such a park will relieve some pressure that seems to press on Disneyland Park. Disney California Adventure is well equipped to handle the droves of crowds the resort takes in. I just can’t help but feel, each time I’m at Disneyland, that such full-throttle crowds seem more like they’re a surprise Disneyland didn’t plan for. Now, perhaps such a hope is in vain; after all, the thought of bringing in less people to a park is kind of the opposite of what they’d want to happen. (Gosh, every blog post I’m discovering I’m really good at invalidating my own points and opinions. Criminy…) Perhaps I could say what I’d like to most see in this next park.

#1 – That it’ll actually be a park. Not a water park, not a shopping district, not an aviary. A park.

#2 – That such a park will be absolutely brimming with original concepts and brilliant, at-its-finest Imagineering. A lot of complaints were thrown out when Disney California Adventure opened, saying that such a theme was tragic, senseless, and lame. I’ for one a grateful we weren’t stuck with a copy-cat of a Walt Disney World park. It may have its quirks, but I have to give kudos to California Adventure for being 100% original. A majority of the attractions it opened with are now staples to any Disneyland Resort vacation (i.e. California Screamin’, Soarin’ Over California). Here’s hoping this third gate will be something we’ve yet to experience. I know that this isn’t really so much an original thought, I think any Disney Parks fan would want something original. It is my highest hope, though.

#3 – Let’s get it right the first time, eh? Please don’t cut financial corners, Disney. Please? It looks so good when you go all in.

#4 – BRING BACK THE PEOPLEMOVER! (Wrong place? Wrong time? My bad.)”

I as well have high hopes for a new park. What do I expect to see? Well, I wouldn’t be surprised in the least to see the Marvel division of Disney make its presence known in a huge way.  According to an article written by Robert Niles on Theme Park Insider, “Who owns the rights to use those characters in theme parks? In Japan and the United States east of the Mississippi: Universal. Elsewhere in the world: Disney.” So, if this is correct, and Disney owns the theme park rights to Marvel in SoCal, why not capitalize on it? I could see this happening – a third park that would appeal to older kids, based more on thrill rides possibly? Let’s just say I wouldn’t be surprised.

Now, what would I personally like to see? Much like Hayden, I want a new experience. I want something with cutting edge technology and new stories to tell. Attractions like Tokyo Disney Sea’s “Journey to the Center of the Earth,” or Hong Kong Disneyland’s “Mystic Manor.” Attractions that don’t necessarily tell Disney-centric stories, but attractions that push the limits of both Walt Disney Imagineering and the visitors’ imaginations. Give us new, give us fresh and exciting. Give us MAGIC.

I would LOVE to see this in person – if the video leaves me in awe, I’m sure the attraction would do even more!

In all honesty, regardless or whether we see a third theme park or not, I’d like to see more of the above in the current parks.  What about you guys? Do you see the possibility of a third park in Anaheim? Why or why not? If so, what would you like to see?

Thanks again for the question, Chris! I look forward to answering more questions from all of you. Keep them coming, and look for another “Ask a DisNerd” in two weeks!

Mary Poppins, Stage & Music, Magical Performance!

“Winds in the east, mist coming in, like somethin’ is brewin’ and bout to begin. Can’t put me finger on what lies in store, but I fear what’s to happen all happened before…”

So begins the tale of Disney’s Mary Poppins, as sung by Bert, Mary’s dear “jack-of-all-trades” friend who serves as a kind of narrator throughout this classic (masterpiece even) telling of PL Travers’ fantastical stories. It never ceases to amaze me just how well acquainted the world is with Disney’s Poppins. Everyone seems to know the multi-purposeful “Supercalifragilisticexpealidocious” (fewer know how to actually spell it, and even fewer go so far as saying it backwards). How many kids have leaped off a patio, opened umbrella in hand, hoping to float down as effortlessly as Mary Poppins can? Us DisNerds especially: how many times a week, day even, do you say that something is simply “practically perfect”, and any other Poppins-related remarks? Mary Poppins is so definitively Disney, in my opinion. (If aliens visit this Earth, and ask what one film best showcases Disney, I’m popping in Poppins. DOn’t ask me how they already know what Disney is.) The film is quite like Mary’s famous carpet bag; You may have just 2 hours or so of film, but it just keeps surprising you with the amount of magic and heart that it contains.

Gosh, I’m sure Poppins has been on your mind a lot recently. It certainly is on the tip of a lot of folks’ tongues as of late, DisNerd or not. With Disney’s “Saving Mr. Banks” coming to theaters later this year, no doubt you’ve seen its recently released trailer. (If not, enjoy the preview HERE!) We’ve talked Poppins a few times on this blog, and no doubt we’ll be talkin’ Poppins a lot more on this blog.

While all of you are discussing how close (or far) Tom Hanks’ actually resembles Mr. Disney, I’d like to bring up a side of Mary Poppins that I saw for the first time this July.

This was taken moments after the show had finished. I'm glowing with that "dream just came true" glow, I suppose.

This was taken moments after the show had finished. I’m glowing with that “dream just came true” glow, I suppose.

The winds were blowing in the right direction, and a trip to St. George, UT perfectly coincided with a local theater’s showing of Disney’s “Mary Poppins: A New Musical”. My experience with Disney’s theatrical productions have been few, but absolutely memorable. I remember seeing a touring production of Beauty and the Beast as a pretty young kid, and there are moments of the show that I’ve yet to forget. (“Be Our Guest” had me in awe.) Seeing a professionally performed Disney Broadway show always seemed like an out-of-reach dream for me growing up, not unlike my current dream of experiencing Disneyland Paris. (Mary Poppins touring production stopped in Salt Lake City, UT two years ago, but as stated in my previous blog posting, I was ecclesiastically committed to another project that had me unable to attend.) I discovered this past weekend, the same quality I’ve come to expect from Disney’s other endeavors stands true for its musicals.

A broad-view of the desert's Broadway: the Tuacahn Ampitheater in St. George, Utah. Imagine seeing Ms. Poppins's silhouette cast on those red-rock cliffs. "Coo, what a sight!"

A broad-view of the desert’s Broadway: the Tuacahn Ampitheater in St. George, Utah. Imagine seeing Ms. Poppins’s silhouette cast on those red-rock cliffs. “Coo, what a sight!”

The venue certainly lent itself to some incredible effects. Seeing Mary Poppins soar through this red rock canyon would be an incredibly fulfilling moment for any self-respecting DisNerd. You can imagine how thrilled I was to see Admiral Boom shooting off fireworks throughout the final bars of “Step In Time”, knowing fully well that such an effect was not a part of the original production. The cast was so enjoyable. They carried such an energy that had the audience in all-smiles from start until end.

Yes, I know, and you’ve probably already thought this as you’ve read this post, “This shmuck didn’t even see a legitimate Disney production!” and that’s true. I didn’t see Ashley Brown and Gavin Lee. I didn’t see any touring company. And I may have just invalidated any point I’ve been trying to make throughout this article.

Oops.

I did get a neat t-shirt out of it all, and that’s gotta count for something. No? Drat. Well c’mon, watch the preview they made. You’ll see that what I saw wasn’t too far a cry from Broadway.

I’ll say this much… It was an incredibly magical moment to see a Disney classic brought to life. It was a wholly unique experience, oh-so different from the Poppins I knew before, and yet it all felt so familiar as well. In struggling to come up with some witty way to end this post with, here’s what I produced: I’ve got a fev’ah, and the only subscription is mo’ Disney Theatrical Productions. I so look forward to the next Disney show that I see. Here’s hoping the wind will blow you and in the direction of the Great White Way!

Take the time to enjoy this wonderful musical number, “Step In Time” from the Original Broadway Cast of Disney’s Mary Poppins. (What’s the best part? It’s free!)

So DisNerds, have you ever been to a Disney show? What shows have you seen? Any recommendations you’d make?

(PS: Kudos to those who sang the post’s title to the tune of “Supercalifragilisticexpealidocious”!)

Once Upon a Time In Anaheim…

“Anaheim, California. There grew a grove of orange trees covering a lot of ground.

Once upon a time in Anaheim… Anaheim, California, a man beheld those orange groves wondering if he had found the answer to his special dream – his very special vision. He walked around… and looked around… and came to this decision:

(The man’s name was Walt Disney. And as he stood in that orange grove 25 years ago, he saw in his mind’s eye a magic kingdom the likes of which never, NEVER existed anywhere on Earth.)

And he said, “I will build my dream in Anaheim – Anaheim, California! And everything I build will be the grandest sort of fantasy – imagination is the key to Disneyland!” – Danny Kaye, from the Disneyland 25th Anniversary Special

The Whole Special. It’s so deliciously 1980.

Imagination, along with hard work, perseverance, stubbornness, contributions from others, and so much more was, and still is, the key to Disneyland. As Walt’s opening day broadcast began on July 17th, 1955, imagination ran wild. The theme park was born, and what an amazing debut it made. On televisions across America, a new locale became the go-to destination for many families. Given Walt Disney’s dream and drive, looking back, this is not surprising. However, up until that point, it was very much up in the air.

Not anymore. 58 years later, and the park is going strong as ever. Even with Disney Parks world wide, people still travel from all over the globe to visit Walt’s original theme park.

People like us. We, the vacationers, the day trippers, the locals who love to go and soak up the atmosphere. Who still talk to Mickey as if we’re seeing him for the first time. Who plan for weeks on end which ride will be our first when we get there. Who put on mouse ears as if they are part of our everyday accessories. Who stand in line for 25 minutes on a hot day for a Dole Whip because water just won’t do.

Although some naysayers may scoff, there really is a magic feel to Disneyland. Whether it’s nostalgia, an escape from real life, or the need to relax on a bench as horse drawn trolleys pass by, we feel transformed as we enter. For even a few hours of the day we can forget our worries, or, at the very least, take time to reflect a bit while riding a train through jungles, New Orleans and a prehistoric scenario.

Because of this magic that lingers long after I’ve left the park, even now, a month and a half out from another trip, I want to take the time today to say the following:

Happy Birthday, Disneyland. Thank you to all who worked on creating this happy place, from Walt himself to the bulldozer drivers who cleared the orange groves… you have my gratitude. May you continue to be a source of joy and inspiration on this earth for years to come. May our grandchildren know the wonder of flying with elephants and sliding down icy slopes of hills while eluding abominable snowmen. Here’s to many more birthdays to come.

You’ve Got A “New” Friend In Me

Hey-there, Hi-there, Ho-there, DisNerds!

I cannot even begin to tell you how ecstatic I am to be featured here on this wonderful blog. English words fail to describe just how excited I am to see where this all goes. (Luckily we all love a world whose ridiculously imaginatory lexicon is only rivaled by Dr. Seuss, so I believe I can find some word to describe my feelings. Tigger-ific? Supercalifragilistexpealidocious? Point being: Disney is awesome and I’m infinitely-and-beyond happy to be on-board with this blog.)

So, I’m certain I’ll have the opportunity to explain more of my Disney-love (how I came to love it, how I live it, etc.) but I’ll just take this paragraph to at least introduce myself this much: I am Mouseketeer Hayden (“Hi, Hayden…”) I am 21 years old, and I’ve been a Disney geek for 10+ years now. (The first 11 or so was all training, mind you.) It’s interesting to see the variety of Disney geeks you stumble upon… Some can stump me on every single Mickey Mouse related trivia question we’d be asked, others seem to know an uncomfortable amount of information about Annette Funicello. Myself? Gosh, you’ll be hearing a lot from me about Disneyland, Disney Imagineering, Disney Animation, and the man Disney himself.

Craig spoke briefly of my life’s most recent grand adventure as he introduced me. In short, I returned this May from Seattle, Washington where I served as a full-time missionary for the Church of Jesus Christ of Latter-day Saints. I’ll spare you two years worth of stories (though I’d be happy to share with any who’d like to hear them via private conversations) and explain this much: I served this mission knowing full well that I’d be away from family and friends for two years, my only contact with them being occasional letters and weekly e-mails (and I was allotted only an hour’s worth of e-mailing, mind you). I understood that I’d be asked to forsake all forms of “worldly” entertainment, including, but not limited to: movies, music (excluding sacred hymns, of course), radio, iPods, iPhones, computers, newspapers, television, etc. I knew that I wouldn’t have any “vacation” time; certainly no time to even think about Disneyland, let alone go to Disneyland. Such is the life of a Mormon missionary!

From Mouseketeer to Missionary: Setting aside mouse ears for a clean-cut 'do, a pin lanyard for a necktie.

From Mouseketeer to Missionary: Setting aside mouse ears for a clean-cut ‘do, a pin lanyard for a necktie.

May 11th, 2013, I was reunited with my family. It was a wonderful moment. I can’t even begin to describe the emotion(s) of it all. Suffice it to say, I was with who I loved most. But I wasn’t “where” we needed to be quite yet.

May 28, 2013, I came “home”. Tears welled up in my eyes seeing the crest of the Matterhorn rise as we drove down the I-5. My heart was racing driving down Katella. There it was, I couldn’t take my eyes off of it. Disneyland was still there. Finally, my family was reunited with the place we loved most. They had gone a handful of times during my mission, but lamented the fact that the group was always an un-even 5. (I like to think they actually missed me, but I think they were more upset at the fact that 5 always meant someone was riding solo, missing the fact that 6 in a party leant itself to easier seating configurations… I jest.)

I felt absolutely spoiled; for the next 5 days I felt like Disneyland was putting on its best show just for me. The rides went smoother, the cast members were happier, the paint was fresher… I felt like it’d missed me, and that it was mighty happy to see me back. Thank goodness, too. I entertained the thought that perhaps I wasn’t as ready for Disneyland as perhaps I needed to be.

It was interesting to see the things that changed, yes, from major installments to minor details. Some sails and other various fabrics in Pirates of the Caribbean had been changed out. Indiana Jones and the Temple of the Forbidden Eye certainly had its share of enhancements.  California Adventure… I don’t think anything was the same there! A new entrance, Buena Vista Street, Cars Land, trolleys, shows, stores… What an experience that was, seeing for the first time! A water feature here had been repainted, a merchandise rack had been shifted there… But I was still walkin’ right down the middle of the same Main Street USA. I was still being followed home by the same pestering hitch-hiking ghosts. It’s just as small a world now as it was when those 2 years ago. Which was all sorts of wonderful. I found I needed to be at Disneyland for more reasons than to just satisfy a Disney geek’s cravings and yearnings. I needed to be there to remind myself of where I had come from, who I was, and where I’ve wanted to be going. It was here I felt a figurative “last piece of the puzzle” fall into place, solidifying all of the life lessons I had learned through my missionary service into my heart. I was I sure picked an eventful two years to take a hiatus from, I’ll tell you what! It was wonderful to feel that my two years away from the magic didn’t deplete me in anyway. It has very much so been a compounding experience; each passing moment finds me all the more prepared for the next. I was just as ready for Disneyland as I had ever been.

Friends at first, and friends at last. Disney hasn't stopped providing magical moments, and I certainly haven't stopped enjoying them!

Friends at first, and friends at last. Disney hasn’t stopped providing magical moments, and I certainly haven’t stopped enjoying them!

Now granted, that’s a very sappy and sentimental look at things. Perhaps another entry later I can provide a greater (and more factual) trip report. I’ll say this much:

Car’s Land? I watch a Youtube video of Radiator Springs Racers every day to remind myself that it was actually real. From Mater’s Junkyard Jamboree down the road to the Cadillac Range, it was nothing but extraordinarily delightful.

Buena Vista Street was far greater than I could have ever anticipated. I first saw it at nighttime, and I immediately fell in love. It provides such an incredibly immersive experience. It had me in awe the minute I scanned my pass and stepped in.

Ariel’s Undersea Adventure can be summed up in this question: Where can I get one of them Ursula audio-animatronics for my home? (I LOVE IT. I NEED IT.)

There are so many more stories to share, and yet today there is so little time. I hope you enjoyed this, and if anything I hope you take this from it all: I friggin’ missed Disneyland, I’m excited to be back, and I can’t wait to go again. And, if I might add… I am happy to be here, contributing to this blog! Have a Disney Day, folks!

Lock Me In The Vault

Remember waking up to this?

As a child of the 80s, The Disney Channel was a huge deal. As a premiere channel, it was THE channel to have added to your basic cable subscription. Unfortunately, not being able to afford to do so, glimpses of its greatness were few and far between. Still, whenever we would see the words “free preview” in our TV Guide, my heart would leap, and I’d be looking for blank VHS tapes to record as much as I could during those rare times of broadcast. In the three or four days of preview, before the screen became a distorted mess where you could almost make out Mickey’s famous silhouette, the channel was very rarely changed when I had the opportunity to plant myself in front of the TV. Waking up to “Good Morning, Mickey!” and a blood pumping “Mousercise?” That was the way to go. Classic Disney shows in the evening? Just as good. When the sneak peek was over, I’d occasionally flip back to channel 2 (yes, I still remember the channel) to see if by any chance this was the magical time the cable company forgot to switch it back over. Sadly, this never happened.

Yet, those times of watching the programming Disney had to offer, as limited as it might be, had an effect on me. I soaked it up. I memorized the song to “Good Morning, Mickey.” I caught my first glimpse of the original “Mickey Mouse Club.” I saw old episodes of “Walt Disney Presents.” I wanted my DTV.

And I Still Want It.

And I Still Want It.

Years went by, and the memories stayed. The Disney Channel went public. Many of the shows I remembered were long gone. But there was one aspect of the channel that continued to appeal to me: Vault Disney. Say these words to a child of the classic Disney Channel era, even to their parents and you’ll elicit a smile, and perhaps a sigh of longing. Vault Disney was a blessing for insomniacs, a late night programming block of Disney heaven for nostalgia loving enthusiasts. From episodes of “Zorro,” “Swamp Fox,” and even DTV segments, to reruns of “The Wonderful World Of Color” and “Walt Disney Presents,” viewers were treated to glimpses of the history of the Walt Disney Company.  Younger viewers such as myself were seeing these shows for the first time. Baby boomers were reliving fond memories of the past. My mom and I didn’t watch much TV together, but we both sat through a Spin and Marty marathon. I first saw the entire opening day broadcast from Disneyland this way. I laughed and smiled through “Disneyland Showtime,” the very dated, but fascinating, program where Donny Osmond got lost at Disneyland, leaving it up to his brothers and Kurt Russel to track him down before their scheduled performance.

Not to mention, seeing behind the scenes footage of the newest attraction was pretty cool, too.

Although I can’t remember the exact year, I do remember when Vault Disney signed off for the last time. I wasn’t aware what was happening until a few days before. All I really knew for sure is there was some awesome Vault Disney programming going on in those final days. So once again, for one last time, I scrounged up blank VHS tapes, set the VCR timer to record 6 hours worth of vault programming in the wee hours of the morning in order to enjoy what I could of what was left. No disrespect meant to the new Disney Channel show reruns that would be taking their place, but at this point in my life, it would be the Disneyland anniversary specials and “Wonderful World” shows that were holding a place in my heart.

Now, as a parent, I see the place new shows on the Disney Channel, namely Disney Junior, are taking in my little girl’s life. While I’m grateful for the new memories from these shows, I wish there was a way to share my memories with her as well. Sure, there are some I am able to share via You Tube, and thanks to the beauty of the Walt Disney Treasures DVDs, we have history lessons as well.

Her favorite older show is the one with the “dancing cake” (Disneyland’s 10th Anniversary).

However, it still feels lacking compared to the vast amount of Disney history that was once available. Dear Disney, please consider this blog post as my open letter to you. The same generation that grew up with the original Disney Channel now has children of its own. In addition to providing programming they will remember in their adult years, we sorely lack in being able to share our memories with them. How amazing it would be, through one of your current channels or a new channel, to offer a block of Vault Disney programming again? Imagine the limitless field, from kids’ programming such as “Good Morning Mickey” and “Welcome to Pooh Corner,” along with three different eras of “The Mickey Mouse Club,” to classic Disney programming such as “Zorro” and “Walt Disney Presents.” I truly believe there is a limited offering for genuine family programming; this could fill that void.

I realize there are a lot of things I don’t fully grasp, from licensing to key demographics; but I can’t be alone in my desire to revisit some amazing company history. Dear reader, do you feel the same? I’d love to hear your thoughts and comments. Feel free to share this, write your own open letters. I’d love to see multiple generations of voices be heard in regards to the currently untapped history of the Disney company.

As long as so many of these wonderful memories remain locked up in the vault, I feel that part of me is locked up in the vault as well.